Religious Music Perpection Of The Congregations Duygu Turan

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APPRECIATION
PREFACE
CONTENTS
TABLE LIST
LIST OF GRAPHIC
ABBREVIATIONS
INTRODUCTION
METHODOLOGY AND THE METHODS OF COLLECTING DATA
DEMOGRAPHIC FEATURES OF ATTENDEES OF THE SURVEY
RESTRICTIONS
HYPOTHESES
POPULATION AND THE SAMPLE
RELATED LITERATURE
FINDINGS and INTERPRETATION
FINDING and INTERPRETATIONS REGARDING TO MUSICAL RELATIONS
THE INSTRUMENTS WHICH ARE IN THE SPOTLIGHT WHEN THE RELIGIOUS MUSIC IS BEING PLAYED
FINDINGS AND INTERPRETATION REGARDING TO MUSICAL KNOWLEDGE
FINDINGS AND INTERPRETATION REGARDING TO MUSICAL PERCEPTION
EMOTIONS COMING TO MIND WHEN THE RELIGIOUS MUSIS IS LISTENED
FELT EMOTIONS WHEN THE RELIGIOUS MUSIS IS LISTENED
EMOTIONS AMPLIFIED BY RELIGIOUS MUSIC
IN WHICH EMOTIONS IS THE RELIGIOUS MUSIC LISTENED?
SOURCE OF RELIGIOUS MUSIC
FUNCTION OF RELIGIOUS MUSIC
ELEMENTS THAT MAKE MUSIC RELIGIOUS
THOSE WHO ANSWER “OTHER” TO THE QUESTION
OF WHAT MAKES MUSIC RELIGIOUS
CONCLUSION
PERCEPTION OF RELIGIOUS MUSIC OF MUSLIM AND NON‐MUSLIM COMMUNITIES IN ISTANBUL AND PORTLAND/ME
COMPARISON OF RELIGIOUS MUSIC PERCEPTION OF MUSLIM AND NON‐MUSLIM COMMUNITIES IN ISTANBUL AND PORTLAND/ME
HYPOTHESIS RESULTS
SOURCE
RESEARCH QUESTIONNAIRE ABOUT RELIGIOUS MUSIC PERCEPTION